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Piozzi, Hester Lynch, 1741-1821

"Autobiography, Letters and Literary Remains of Mrs. Piozzi (Thrale) (2nd ed.) (2 vols.) Edited with notes and Introductory Account of her life and writings"

' Accordingly she soon returned, wearing the requisite
quantity of bloom; which, it must be noticed, was not in the least
like that of youth and beauty. I then said that I was surprised she
should so far sacrifice to fashion, as to take that trouble. Her
answer was that, as I might conclude, her practice of painting did
not proceed from any silly compliance with Bath fashion, or any
fashion; still less, if possible, from the desire of appearing
younger than she was, but from this circumstance, that in early life
she had worn rouge, as other young persons did in her day, as a part
of dress; and after continuing the habit for some years, discovered
that it had introduced a dull yellow colour into her complexion,
quite unlike that of her natural skin, and that she wished to conceal
the deformity."--_Piozziana_.]
Reynolds' portrait of Mrs. Thrale conveys a highly agreeable
impression of her; and so does Hogarth's, when she sat to him for the
principal figure in "The Lady's Last Stake." She was then only
fourteen; and he probably idealised his model; but that he also
produced a striking likeness, is obvious on comparing his picture
with the professed portraits. The history of this picture (which has
been engraved, at Lord Macaulay's suggestion, for this work) will be
found in the Autobiography and the Letters.
Boswell's account of his first visit to Streatham gives a tolerably
fair notion of the footing on which Johnson stood there, and the
manner in which the interchange of mind was carried on between him
and the hostess.


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