But that is
literary talk. I understand it so. When you have apprehended that
basket as one thing and have then analysed it according to its form and
apprehended it as a thing you make the only synthesis which is
logically and esthetically permissible. You see that it is that thing
which it is and no other thing. The radiance of which he speaks in the
scholastic QUIDDITAS, the WHATNESS of a thing. This supreme quality is
felt by the artist when the esthetic image is first conceived in his
imagination. The mind in that mysterious instant Shelley likened
beautifully to a fading coal. The instant wherein that supreme quality
of beauty, the clear radiance of the esthetic image, is apprehended
luminously by the mind which has been arrested by its wholeness and
fascinated by its harmony is the luminous silent stasis of esthetic
pleasure, a spiritual state very like to that cardiac condition which
the Italian physiologist Luigi Galvani, using a phrase almost as
beautiful as Shelley's, called the enchantment of the heart.
Stephen paused and, though his companion did not speak, felt that his
words had called up around them a thought-enchanted silence.
--What I have said, he began again, refers to beauty in the wider
sense of the word, in the sense which the word has in the literary
tradition.
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