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Joyce, James, 1882-1941

"A Portrait of the Artist as a Young Man"

A lean student with
olive skin and lank black hair thrust his face between the two, glancing
from one to the other at each phrase and seeming to try to catch each
flying phrase in his open moist mouth. Cranly took a small grey handball
from his pocket and began to examine it closely, turning it over and over.
--Next business? said MacCann. Hom!
He gave a loud cough of laughter, smiled broadly and tugged twice at
the straw-coloured goatee which hung from his blunt chin.
--The next business is to sign the testimonial.
--Will you pay me anything if I sign? asked Stephen.
--I thought you were an idealist, said MacCann.
The gipsy-like student looked about him and addressed the onlookers in
an indistinct bleating voice.
--By hell, that's a queer notion. I consider that notion to be a
mercenary notion.
His voice faded into silence. No heed was paid to his words. He turned
his olive face, equine in expression, towards Stephen, inviting him to
speak again.
MacCann began to speak with fluent energy of the Tsar's rescript, of
Stead, of general disarmament arbitration in cases of international
disputes, of the signs of the times, of the new humanity and the new
gospel of life which would make it the business of the community to
secure as cheaply as possible the greatest possible happiness of the
greatest possible number.


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