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Joyce, James, 1882-1941

"A Portrait of the Artist as a Young Man"

He brooded sourly on his judgement
and repeated with the same flat force:
--A flaming bloody sugar, that's what he is!
It was his epitaph for all dead friendships and Stephen wondered
whether it would ever be spoken in the same tone over his memory. The
heavy lumpish phrase sank slowly out of hearing like a stone through a
quagmire. Stephen saw it sink as he had seen many another, feeling its
heaviness depress his heart. Cranly's speech, unlike that of Davin, had
neither rare phrases of Elizabethan English nor quaintly turned
versions of Irish idioms. Its drawl was an echo of the quays of Dublin
given back by a bleak decaying seaport, its energy an echo of the
sacred eloquence of Dublin given back flatly by a Wicklow pulpit.
The heavy scowl faded from Cranly's face as MacCann marched briskly
towards them from the other side of the hall.
--Here you are! said MacCann cheerily.
--Here I am! said Stephen.
--Late as usual. Can you not combine the progressive tendency with a
respect for punctuality?
--That question is out of order, said Stephen. Next business.
His smiling eyes were fixed on a silver-wrapped tablet of milk chocolate
which peeped out of the propagandist's breast-pocket. A little ring of
listeners closed round to hear the war of wits.


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