It was idle for him to move himself to be generous
towards them, to tell himself that if he ever came to their gates,
stripped of his pride, beaten and in beggar's weeds, that they would be
generous towards him, loving him as themselves. Idle and embittering,
finally, to argue, against his own dispassionate certitude, that the
commandment of love bade us not to love our neighbour as ourselves with
the same amount and intensity of love but to love him as ourselves with
the same kind of love.
He drew forth a phrase from his treasure and spoke it softly to
himself:
--A day of dappled seaborne clouds.
The phrase and the day and the scene harmonized in a chord. Words. Was
it their colours? He allowed them to glow and fade, hue after hue:
sunrise gold, the russet and green of apple orchards, azure of waves,
the grey-fringed fleece of clouds. No, it was not their colours: it was
the poise and balance of the period itself. Did he then love the
rhythmic rise and fall of words better than their associations of
legend and colour? Or was it that, being as weak of sight as he was shy
of mind, he drew less pleasure from the reflection of the glowing
sensible world through the prism of a language many-coloured and richly
storied than from the contemplation of an inner world of individual
emotions mirrored perfectly in a lucid supple periodic prose?
He passed from the trembling bridge on to firm land again.
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