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Joyce, James, 1882-1941

"A Portrait of the Artist as a Young Man"


He listened without sympathy to his father's evocation of Cork and of
scenes of his youth, a tale broken by sighs or draughts from his pocket
flask whenever the image of some dead friend appeared in it or whenever
the evoker remembered suddenly the purpose of his actual visit. Stephen
heard but could feel no pity. The images of the dead were all strangers
to him save that of uncle Charles, an image which had lately been
fading out of memory. He knew, however, that his father's property was
going to be sold by auction, and in the manner of his own dispossession
he felt the world give the lie rudely to his phantasy.
At Maryborough he fell asleep. When he awoke the train had passed out
of Mallow and his father was stretched asleep on the other seat. The
cold light of the dawn lay over the country, over the unpeopled fields
and the closed cottages. The terror of sleep fascinated his mind as he
watched the silent country or heard from time to time his father's deep
breath or sudden sleepy movement. The neighbourhood of unseen sleepers
filled him with strange dread, as though they could harm him, and he
prayed that the day might come quickly. His prayer, addressed neither
to God nor saint, began with a shiver, as the chilly morning breeze
crept through the chink of the carriage door to his feet, and ended in
a trail of foolish words which he made to fit the insistent rhythm of
the train; and silently, at intervals of four seconds, the
telegraph-poles held the galloping notes of the music between punctual
bars.


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