The fine weather and my friend's local knowledge of Hampshire, in which he is wont to spend a part of every summer, made the way short. There was much to say, too, of the travelling Americans, and their usual objects in London. I thought it natural, that they should give some time to works of art collected here, which they cannot find at home, and a little to scientific clubs and museums, which, at this moment, make London very attractive. But my philosopher was not contented. Art and `high art' is a favorite target for his wit. "Yes, Kunst is a great delusion, and Goethe and Schiller wasted a great deal of good time on it:" -- and he thinks he discovers that old Goethe found this out, and, in his later writings, changed his tone. As soon as men begin to talk of art, architecture, and antiquities, nothing good comes of it. He wishes to go through the British Museum in silence, and thinks a sincere man will see something, and say nothing. In these days, he thought, it would become an architect to consult only the grim necessity, and say, `I can build you a coffin for such dead persons as you are, and for such dead purposes as you have, but you shall have no ornament.' For the science, he had, if possible, even less tolerance, and compared the savans of Somerset House to the boy who asked Confucius "how many stars in the sky?" Confucius replied, "he minded things near him:" then said the boy, "how many hairs are there in your eyebrows?" Confucius said, "he didn't know and didn't care.
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