Besides, these are they who make England that strongbox and museum it is; who gather and protect works of art, dragged from amidst burning cities and revolutionary countries, and brought hither out of all the world. I look with respect at houses six, seven, eight hundred, or, like Warwick Castle, nine hundred years old. I pardoned high park-fences, when I saw, that, besides does and pheasants, these have preserved Arundel marbles, Townley galleries, Howard and Spenserian libraries, Warwick and Portland vases, Saxon manuscripts, monastic architectures, millennial trees, and breeds of cattle elsewhere extinct. In these manors, after the frenzy of war and destruction subsides a little, the antiquary finds the frailest Roman jar, or crumbling Egyptian mummy-case, without so much as a new layer of dust, keeping the series of history unbroken, and waiting for its interpreter, who is sure to arrive. These lords are the treasurers and librarians of mankind, engaged by their pride and wealth to this function.
Yet there were other works for British dukes to do. George Loudon, Quintinye, Evelyn, had taught them to make gardens.
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