A seashell should be the crest of England, not only because it represents a power built on the waves, but also the hard finish of the men. The Englishman is finished like a cowry or a murex. After the spire and the spines are formed, or, with the formation, a juice exudes, and a hard enamel varnishes every part. The keeping of the proprieties is as indispensable as clean linen. No merit quite countervails the want of this, whilst this sometimes stands in lieu of all. "'Tis in bad taste," is the most formidable word an Englishman can pronounce. But this japan costs them dear. There is a prose in certain Englishmen, which exceeds in wooden deadness all rivalry with other countrymen. There is a knell in the conceit and externality of their voice, which seems to say, Leave all hope behind. In this Gibraltar of propriety, mediocrity gets intrenched, and consolidated, and founded in adamant. An Englishman of fashion is like one of those souvenirs, bound in gold vellum, enriched with delicate engravings, on thick hot-pressed paper, fit for the hands of ladies and princes, but with nothing in it worth reading or remembering.
A severe decorum rules the court and the cottage. When Thalberg, the pianist, was one evening performing before the Queen, at Windsor, in a private party, the Queen accompanied him with her voice.
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