"That's wheah th' blacks kilt th' French back in history times. Ah got
me a book 'bout it. A book in handwritin', not printin'. Pere Armand
larned me to read it."
Judson Holmes' companion moved forward. "A book in handwriting," he said
slowly. "Could that possibly mean a diary?"
Charity was wiping her hands on a paint rag. "It might. New Orleans was
a port of refuge for a great many of the French who fled the island
during the slave uprising. It is not impossible."
"I've got to see it! Here, boy, what's your name?" He pounced upon
Jeems. "Can you get that book here this afternoon?"
Jeems drew back. "Ah ain't gonna bring no book heah. That's mine an' you
ain't gonna set eye on it!" With that parting shot he was gone.
"But--but--" protested the other, "I've got to see it. Why, such a find
might be priceless."
Mr. Holmes laughed. "Curb your hunting instincts for once, Creighton.
You can't handle a swamper that way. Let's go and see Charity's
masterpiece instead."
"I don't remember having asked you to," she observed.
"Oh, see here now, wasn't I the one who got you this commission? And
Creighton here is that strange animal known as a publisher's scout. And
publishers sometimes desire the services of illustrators, so you had
better impress Creighton as soon as possible. Well," he looked at the
picture, "you have done it!"
Even Creighton, who had been inclined to stare back over his shoulder at
the point where Jeems disappeared, now gave it more than half his
attention.
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