An overmastering desire to reveal the humbler immigrant parents
to their own children lay at the base of what has come to be
called the Hull-House Labor Museum. This was first suggested to
my mind one early spring day when I saw an old Italian woman, her
distaff against her homesick face, patiently spinning a thread by
the simple stick spindle so reminiscent of all southern Europe. I
was walking down Polk Street, perturbed in spirit, because it
seemed so difficult to come into genuine relations with the
Italian women and because they themselves so often lost their
hold upon their Americanized children. It seemed to me that
Hull-House ought to be able to devise some educational enterprise
which should build a bridge between European and American
experiences in such wise as to give them both more meaning and a
sense of relation. I meditated that perhaps the power to see
life as a whole is more needed in the immigrant quarter of a
large city than anywhere else, and that the lack of this power is
the most fruitful source of misunderstanding between European
immigrants and their children, as it is between them and their
American neighbors; and why should that chasm between fathers and
sons, yawning at the feet of each generation, be made so
unnecessarily cruel and impassable to these bewildered
immigrants? Suddenly I looked up and saw the old woman with her
distaff, sitting in the sun on the steps of a tenement house.
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