"
In spite of poignant experiences or, perhaps, because of them,
the memory of the first years at Hull-House is more or less
blurred with fatigue, for we could of course become accustomed
only gradually to the unending activity and to the confusion of a
house constantly filling and refilling with groups of people.
The little children who came to the kindergarten in the morning
were followed by the afternoon clubs of older children, and those
in turn made way for the educational and social organizations of
adults, occupying every room in the house every evening. All
one's habits of living had to be readjusted, and any student's
tendency to sit with a book by the fire was of necessity
definitely abandoned.
To thus renounce "the luxury of personal preference" was,
however, a mere trifle compared to our perplexity over the
problems of an industrial neighborhood situated in an unorganized
city. Life pressed hard in many directions and yet it has always
seemed to me rather interesting that when we were so distressed
over its stern aspects and so impressed with the lack of
municipal regulations, the first building erected for Hull-House
should have been designed for an art gallery, for although it
contained a reading-room on the first floor and a studio above,
the largest space on the second floor was carefully designed and
lighted for art exhibits, which had to do only with the
cultivation of that which appealed to the powers of enjoyment as
over against a wage-earning capacity.
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